Contents7 sectionsShow
Kunio Shimizu (清水邦夫): Poetry of the Underground Stage
Introduction
Kunio Shimizu (清水邦夫, 1936--2021) was a Japanese playwright and director whose work is closely linked with the theater of the late 1960s and 1970s. He received the 18th Kishida Kunio Drama Award in 1974 for When We Go Down That Heartless River, sharing it with Kohei Tsuka's Atami Murder Case. He is best known outside Japan for his collaboration with the director Yukio Ninagawa, and for Tango at the End of Winter.
Early Life and Career
Shimizu was born on November 17, 1936, in Arai (now Myoko), Niigata Prefecture. He studied drama at Waseda University, where he was already writing plays: The Signatory (署名人, 1958) won the Teatro Theater Award and the Waseda Theater Award. After graduating in 1960 he joined the film company Iwanami Productions, writing scenarios, and left in 1965 to work as an independent playwright.
Around 1968, Ninagawa, then an actor with the company Seihai, asked Shimizu to write a play for him to direct. The result was Such a Serious Frivolity (真情あふるる軽薄さ). When Seihai rejected the script, Ninagawa and others left the company, and Shimizu and Ninagawa formed Gendaijin Gekijo (現代人劇場, Modern Man's Theater) in 1968, followed by Sakurasha (櫻社), which dissolved in 1974.
In 1976 Shimizu founded Mokutosha (木冬社) with his wife, the actress Noriko Matsumoto. The company ran until 2001. From 1994 to 2007 he was a professor at Tama Art University.
The Kishida Prize-Winning Work
When We Go Down That Heartless River (ぼくらが非情の大河をくだる時), first staged in 1972, is also known in English under other titles, including When We Descend the Merciless River. The play opens at night in a public toilet in Tokyo. Its characters include a younger brother, a poet who has fallen into madness, an older brother who acts out his brother's dreams, and their father. Its theme is the sense of defeat left by a failed dream of revolution.
The first production cast Renji Ishibashi as the older brother and Keizo Kanie as the younger. In October 2022 Eri Watanabe staged a version incorporating other Shimizu plays at Shinjuku Theater Tops, as Bokura ga Hijo no Taiga o Kudaru Toki: Shinjuku Bara Senso.
Major Works
Among Shimizu's plays are:
- When We Go Down That Heartless River (ぼくらが非情の大河をくだる時, 1972) --- The Kishida Prize-winning work.
- Such a Serious Frivolity (真情あふるる軽薄さ, 1968) --- The play written for Ninagawa to direct.
- The Dressing Room (楽屋, 1977) --- Available in English in Alternative Japanese Drama: Ten Plays (University of Hawaii Press, 1992). See the play's page in our library.
- My Soul Is Shining Water (わが魂は輝く水なり, 1980) --- Winner of the Izumi Kyoka Prize for Literature.
- Elegy: Father's Dream Dances (エレジー 父の夢は舞う, 1983) --- Winner of the Yomiuri Prize for Literature.
- Tango at the End of Winter (タンゴ・冬の終わりに, 1984) --- A middle-aged actor who cannot accept growing old retreats into fantasy and memories of his youth, after his wife arranges a fake love affair to revive his talent. Peter Barnes wrote an English version, directed by Ninagawa at London's Piccadilly Theatre in 1991 with Alan Rickman.
Legacy and Influence
Kunio Shimizu died on April 15, 2021, at the age of 84, five years after Ninagawa's death in 2016. His honors included the Medal with Purple Ribbon (2002) and the Order of the Rising Sun, Gold Rays with Rosette (2008).
His plays remain on the stage. Besides Watanabe's 2022 production, Kyojin Naomote Ojo o Togu (狂人なおもて往生をとぐ, 1969) was staged in Tokyo in 2025, directed by Kae Inaba.
How to Experience Their Work
To discover Kunio Shimizu's plays, visit our script search page to search for available scripts. In English, Alternative Japanese Drama: Ten Plays includes three of his plays: The Sand of Youth, How Quickly, Those Days: A Lyrical Hypothesis on Time and Forgetting, and The Dressing Room. Peter Barnes's English version of Tango at the End of Winter is listed by Concord Theatricals.
Sources
- Kunio Shimizu (English Wikipedia)
- Kunio Shimizu (Japanese Wikipedia, via eiga.com)
- Kishida Kunio Drama Award list (Japanese Wikipedia)
- Article on the 2022 production (Pia)
- Alternative Japanese Drama: Ten Plays (Kyushu University Library catalog)
- Tango at the End of Winter (Concord Theatricals)
- Review of a 2015 production of Tango at the End of Winter (The Japan Society)
- Article on the 2025 production of Kyojin Naomote Ojo o Togu (Crank-in!)
Gikyoku Tosyokan Editorial·2026-02-08
Sharing information about Japanese theater and dramatic scripts.
Related Articles
- Kunio Kishida (岸田國士) in 2026: The Playwright Who Made Listening DramaticDiscover Kunio Kishida, the modern Japanese playwright who brought European drama, musical dialogue, and everyday silence to works such as Paper Balloon and Old Toys.2026/10/29
- Playwright Profile: Yukio Mishima (三島由紀夫) in 2026 — The Nobel-Nominated Novelist Who Rewired Noh for the Modern StageA guide to Yukio Mishima as a playwright: Five Modern Nō Plays, Madame de Sade, his kabuki writing and English translations.2026/10/08
- Playwright Profile: Kobo Abe (安部公房) in 2026 — Why Friends and The Suitcase Still Feel UnsettlingA 2026 English guide to Kobo Abe's theatrical career, major plays, style, and why his stage work still matters for global theater artists.2026/08/20
- Koki Mitani (三谷幸喜): Plays, Comedy Style and AwardsWho is Koki Mitani? A short guide to the Japanese comedy playwright's life, major plays, ensemble style and awards, for directors and readers.2026/05/07